Song of Solomon is
a bildungsroman. After all, the novel chronicles the life of Milkman Dead as he
grows up and attempts to find meaning in life. Milkman has two defining
characteristics: self-absorption and a lack of identity. Throughout the novel,
Milkman seemingly acts in his own interests and ignores the well-being of those
around him. He becomes intimate with Hagar, but when he becomes bored, he
disregards her and refers to her as a third beer that one drinks simply because
it is there. Similarly, he hardly speaks with his sisters Magdalene called Lena
and First Corinthians, and he does not view his mother Ruth as a real person
with emotions, but rather as an extension of himself. Additionally, he feels
manipulated by his family members and friends. He thinks, “Somehow everybody
was using him for something or as something. Working out some scheme of their
own on him, making him the subject of their dreams of wealth, or love, or
martyrdom. Everything they did seemed to be about him, yet nothing he wanted
was part of it” (165). Milkman is so self-absorbed that he relates everything
that occurs in his community back to himself and presents himself as the “protagonist”
in each event. Yet, at the same time, his self-absorption and sense of being
manipulated indicates his lack of identity. Milkman himself recognizes that he
lacks a strong identity, for when he decides to rob Pilate, he “felt a self
inside himself emerge, a clean-lined definite self…a self that could join the
chorus at Railroad Tommy’s with more than laughter” (184). Milkman knows he
does not have an identity, but imagines that robbing Pilate will give him one.
Milkman’s lack of identity causes him to cling onto those around him–Guitar,
Macon, Ruth–and transform their own problems and goals into his own, and thus
he feels used by them. Interestingly, Milkman’s lack of identity and
self-absorption present a chicken-egg paradox and beg the question of whether
the selfishness causes him to cling onto others and not form his own identity
or if the lack of identity causes him to become self-absorbed and turn others’
problems into his own.
In her short story “The Headstrong Historian,” Chimamanda Ngozi Adichie pays tribute to Chinua Achebe’s novel Things Fall Apart while adding her own distinct voice. Like Achebe’s classic novel, “The Headstrong Historian” paints rich portraits of Nigerian tribal culture before the advent of white missionaries and the Nigerians who grapple with culture clashes and changes. The short story immediately establishes its ties to Things Fall Apart when it mentions that the character “Obierika”–a name which readers may recognize as the close friend of Achebe’s protagonist Okonkwo–is the late husband of Adichie’s protagonist Nwamgba (198). Moreover, when Nwamgba and Obierika struggle to conceive a child, Nwamgba “suggests he go and see the Okonkwo family about their daughter” as a potential wife and mother to his child (204). These developments create the expectation that the short story will have a similar, if not identical, narrative to Things Fall Apart : that the advent of the white missio...
Comments
Post a Comment